He also can mute the delay channel so he can surge the delay and then slam the channel shut and emphasize the start of the next bar. He is also adjusting the delay itself through out the track so that the delay jumbles and stretches out depending on where he is in the song. It isn't just one delay part, it switches up all the time and he is grabbing a different drum sound every four bars. What he is doing is delaying individual channels on the fly while the 707 plays through the song in track mode, all that shit is being done in real time by hand.
He has an analogue delay set up on one of the aux sends and the send is running back to the board. What is happening on that track is that every sound on the 707 is being run out to the board on an individual channel. Instead it darts between eras and demonstrates the breadth of their career.There is a lot more going on in Washing Machine besides delay. Reception Professional ratings Review scores Source Rating favourable Andy Kellman of gave the album a positive review, stating: ' Upside Down might seem like too much for casual fans, but it retails for the price of a single disc and functions as a thorough, accurate representation of the band’s discography.' PJ Meiklem of wrote: 'The evolution between 1984’s debut single Upside Down and All Things Must Pass (the only new material released since reforming in 2007) may be clear, but it’s not so marked as to drag you through a 44-song-journey to chart it.' Julian Marszalek of praised the album, commenting: 'Splendidly mastered to boost the fuzz that fizzes throughout the Jesus and Mary Chain’s three chord gems, Upside Down is a great introduction for anyone seeking an alternative to received wisdom erroneously taken as fact, as well as a timely reminder of Reidian greatness for any lapsed apostles.' Johnny Dee of magazine also wrote: 'unchronological, Upside Down doesn’t tell the story of The Mary Chain’s transformation from agent provocateurs to gothic pop stars to rock’n’roll class act.